Showing posts with label Kate Hardy. Show all posts
Showing posts with label Kate Hardy. Show all posts

Wednesday, April 13, 2011

Author Spotlight - Kate Hardy

The Minxes are pleased to greet multi talented author Kate Hardy to the blog today. Kate writes for two different Mills & Boon lines, the medical and RIVA lines. Amazingly, Kate also writes local history books. The Minxes are in awe :-)

1. Where were you in your writing career 5 years ago?

I’d been writing for Mills & Boon for 5 years (OMG – that means I’ve been an M&B author for 10 years, this November!) and I’d just moved to being a two-line author – my very first Modern Extra, The Cinderella Project, came out in April 2006.

2. Your current release is a continuity, so can you give us an idea of how that works?

The editors have an idea for a mini-series (which can be anything from 4-12 books). In the series, there are a hero and heroine whose story is told over the whole series (so they appear in each book), as well as the individual stories within the series. The eds then choose the authors whose voices they think will suit each particular story. They give us a ‘bible’ for the continuity, which has the synopses and character outlines in it for all the books and the continuity characters, as well as details about the setting – so we can see exactly where our individual heroes and heroines fit in. Then the authors get together – usually on email, as you can be working with people right across the globe! – and we talk about how we’re going to bring the series to life. Generally you end up sending everyone the sections you’ve written about the “continuity” characters so we’re all “on the same page”. It’s also great fun – I can remember Caroline Anderson ringing me and saying, “Can I hurt your vet?”, and we decided to give my doctor hero the stray dog who’d bitten my vet heroine. That dog owed a lot to Margaret McDonagh’s beloved Flatcoat Retriever (including her name!) – and then, in the next series, Mags and I decided to give Bramble puppies, so they ended up in several other people’s books, too. (Funnily enough, my ed wrote a dog into the story of this one. I think she knew what would happen if she didn’t…)

3. Where do you hope to be in 5 years time?

Still writing – and heading towards my 75th M&B, I hope!

4. Which was the last book you read that you wish you'd written?

This is a bit of a cheat as it was a re-read of an old favourite – Susanna Kearsley’s “The Shadowy Horses”. I’m not sure what I like most about her books – the characterisation, the clever plots, the warmth, the dialogue… Anyway. It’s brilliant and I wish I’d written it!

5. Was there any particular author or book that made you want to be a writer?

No – I knew from before I started school that I wanted to write. I think my earliest influences (and this is going to sound pretentious, so I’ll apologise in advance, though it’s still true!) were Emily Bronte, Madeleine L’Engle and Victoria Holt. (So the book of my heart would probably be a bit on the Gothic side and involve timeslip, but I’ve been trying and failing for four years to persuade my ed to let me write my Regency doctor book!)

6. What's the most romantic moment of your life so far?

Walking through St Mark’s Square in Venice, hand in hand with my husband, and seeing Venus rising. Or possibly standing on the top of the Arc de Triomphe in Paris and seeing the Eiffel Tower sparkling on the hour (also with my husband). Actually, the children were with us both times, but it was still very romantic! (And yes, I am using both settings in a book…)

7. What do you wish you'd known about being an author before you were pubbed?

How much of a time-suck the internet can be… :o)

Seriously, I don’t think there’s anything, because I worked on the university newspaper as a student and was friends with people who went on to become journalists, so I was realistic before I started. I knew that publishing works slowly and isn’t a “get rich quick” industry (so when you see TV programmes about people getting their first book accepted and published within a couple of weeks AND they can afford to give up their day job… er, fiction alert!!); and also that you have to put the hours in (books sadly don’t write themselves) and be prepared to change things (i.e. do revisions, sometimes more than one set).

But I can’t think of any job I’d rather do, or where I’d have such lovely colleagues.

8. What's the best writing advice you've ever been given?

Take time to refill the well – read a lot, watch films, or just go for a long walk somewhere inspiring.

9. How do you go about researching the medical detail that needs to go into your books?

The biggest trick is to keep the detail accurate without it overwhelming the reader (I do have a habit of including too much detail, probably because I used to be a health journalist!). The Oxford Handbooks of medicine are brilliant – they’re the ones that junior doctors use. I also use http://emedicine.medscape.com/ - the only thing I would say there is that it’s US-based, so I also tend to check out Netdoctor to make sure that any treatments I’m planning to use are available in the UK, where my books are set. Plus it’s quite handy knowing medics (among the other med writers) whose brains I can pick if I’m desperate!

10. Tell us about your book.

The Fireman and Nurse Loveday is all about Tom Nichols, a firefighter who has to balance his dedication to his job with being a stand-in father to his orphaned nephew; he’s helped very much in this by one of the practice nurses, who works as a health visitor and does all the school visits and clinics. Flora Loveday’s terribly shy and thinks nobody like Tom would ever fall for her – but Tom teaches her otherwise, and finally manages to bring her out of her shell.

11. What’s next for you?

Next is a Medical Romance set partly in Capri; then a very raunchy Riva set in an ice-cream empire in Naples; and I’ve just handed in another Riva, so I’m awaiting my ed’s reaction to see if it was too much of a weepie! I’m working on the outline for my next Medical Romance, and we’re just about to go off on a research trip so I can plan my next Riva (which will hopefully be my 50th M&B) – I can’t wait!


Visit Kate's blog at here

Buy St Piran's: The Fireman and Nurse Loveday at Mills & Boon or Amazon

Friday, October 1, 2010

Kate Hardy's Guide to the Joy of Research

First of all, thank you very much to the Minxes for inviting me back to talk about a subject dear to my heart – my favourite bit of writing a book.

Which is… (cue drum roll) research.

Why do I love research so much? I guess it’s because I’m a nerd who just loves learning new things. Better still is when I get to do location research and actually see the place I’m talking about - and it can be really important, because if I hadn't visited Venice earlier this year then I wouldn't have known that their stained glass is very different from English stained glass, and my book would have been completely wrong. (The eating of lots of ice cream in Venice was also research, albeit for a different book that I haven’t started yet and needs, um, another research trip.)

Actually doing the research is one thing; putting it into your book so it doesn’t show is quite another. It's quite tricky to walk the line between putting enough research into the book so that my readers get a flavour of the background (whether it's a place or a profession – or, in the case of my Medical romances, the patients’ illnesses and how to treat it), but not putting in so much that it's an infodump or drowns the romance. Although I’ve had plenty of readers tell me that one of the things they love about my books is that they learn something new, at the end of the day, I know that their main concern is the journey between the hero and heroine (and all the stuff I find absolutely fascinating gets in the way of said journey. I still need to know it before I write, though, because it does affect how my hero and heroine think).

My current release, Champagne with a Celebrity, has a parfumier as a hero. And you can't write a book about someone who develops new perfumes unless you know how it's done, can you? And when I discovered that there was a one-to-one course on designing your own perfume, literally 20 minutes down the road from me... Well, I just had to do it, didn’t I? I learned some really interesting things about perfume – and I did manage to work some of them into the book, when the hero guides the heroine through making her own perfume blend. (I would tell you more here, but then you wouldn’t learn something new when you read the book – and I couldn’t possibly disappoint you like that!) I also made my own bottle of fragrance; though I will admit that, despite my best intentions, it turned out to be a clone of my favourite perfume.

So my question to you is: research. Love it or hate it?

Kate Hardy’s latest book, Champagne with a Celebrity, is the second in a duo about the Lefèvre brothers. It’s available now at bookshops, Amazon or at the M&B website. Click here for the Amazon link

And in other news, we have an exciting Minx announcement here on the blog on Monday - Don't forget to pop in and read it!

Friday, September 3, 2010

Kate Hardy's Guide to Time Management for Writers

Today we'd like to welcome Kate Hardy to our blog. Some have called her super scary for her organisational and planning skills but they certainly pay off as regards her productivity for Harlequin Mills and Boon and we can only say she's super nice for sharing her advice today...
First of all, thank you very much to the Minxes for inviting me over to talk about a subject dear to my heart – time management for writers.
Time management? Don’t you just sit and write when the muse takes you? Er, not if you write six books a year for Mills & Boon, you don’t. You have deadlines, and that means planning your time sensibly so you can meet said deadlines.
And planning is all about knowing how you work and what you’re comfortable doing. You might be the kind of writer who plans everything out and does a set amount each day to hit your deadline (aka the tortoise approach); or you might be better when you’re working on a screaming deadline, so you think about the book for ages and then write the whole thing in a ridiculous amount of time (aka the hare approach). Both approaches are absolutely valid; the trick is to find out which one suits you best. (And be aware that it might change depending on your circumstances…!)
For me, because I write for two different M&B lines (Modern Heat and Medical Romance), I write six books a year. That gives me 8 weeks per book – minus a week for thinking, another for revisions, and another to clear my head between books/deal with the unexpected, so that’s five weeks to write 50,000 words, or 2,000 words a day with two days off a week. Not quite as scary as it sounded at first, is it?
Whichever approach you take, there are some tips that can help you work smarter rather than harder:
· Build in extra time for the unexpected (especially if you have kids – if you have more than one, it’s more likely that they’ll get that lurgy one after the other rather than all at the same time)
· Give yourself time to think, research and edit
· Work at your ‘best time’ when you can (are you a lark who likes working before everyone in the house gets up, or an owl who’s best late at night? – but you do have to take your personal circumstances into account, so as I’m a lark I never get my ‘best’ working time during school termtime)
· Do the admin in your ‘worst time’ (filing, PLR/ALCS, tax receipts – also note that doing it daily in smaller chunks is less painful and doesn’t take up creative headspace. Plus you can always write blog posts in advance and schedule them)
· Schedule in some exercise (aka creative thinking time) – it’ll give you a break and you’ll come back mentally refreshed
· Know your personal time-sucks (which one’s yours? I’ll admit to email, facebook and certain forums and blogs, playing Boggle when I’m stuck, and research that goes off at tangents – and this is why I dare not do Twitter, cough) and plan round them. That means using a kitchen timer to remind you when you’ve spent half an hour playing; or working in chunks of 500-750 words, with scheduled breaks for time-sucks (thanks to Michelle Styles for that tip); or, as a last resort, unplugging your modem or working on a laptop without a net connection to make sure you don’t get distracted.


Kate Hardy’s latest book, Red Wine and Her Sexy Ex, is the first in a duo about the Lefèvre brothers. It’s available now at bookshops, Amazon or at the M&B website. Keep up to date with Kate's latest news via her blog
We're very much looking forward to welcoming Kate back to our blog on the first of October when she'll be guest blogging for us about research.

Friday, July 23, 2010

RNA Conference Top Ten and an announcement!



Better writers than me have posted excellent write-ups of conference talks so instead of a deep, insightful blog post I thought I'd do a list of "Ten things I didn't know before the conference". There are probably an awful lot more than ten but I know you haven't got all day. So, before your cup of tea/coffee gets cold I'll get on with it...

Conference Top Ten (facts, tips and gossip)
  1. The biggest sector buying books in supermarkets is women aged 40-49 and for some titles supermarkets can account for 90% of sales.
  2. Digital is seen as the way forward (but beware, if the supermarkets are giants Sony, Amazon and Google are monoliths...) ebook sales and audio downloads have rocketed, particularly with the release of the ipad. Ebooks and audiobooks may be released as packages in the future
  3. Watch out for 'author apps' - a kind of fan club app, with the opportunity to get sent free excerpts. .
  4. Writing a 'Trojan Horse' - Romantic plot-lines are selling really well, especially when dressed up as something else e.g. an aspirational plot-line (lifestyle change, travel etc). If you write romantic suspense emphasize the suspense part of your pitch! It's sad but true - there are women out there who want the romance stories their grandmothers read but to have it dressed up as something modern, more contemporary perhaps.
  5. Romance accounts for 20.5% of all fiction sold.
  6. It takes a brave and a good writer to start a new trend, to innovate rather than imitate. One point from the Mills and Boon talk (see photo below) was that writers need a commercial awareness of the market and to keep their fingers on that market's pulse to create fresh stories that are relevant to the twenty first century reader.
  7. The words 'twenty first century' appeared no fewer than 7 times in the key points of the M&B talk. Methinks they were making a point.
  8. It is possible to be creative at 9 am on a Sunday morning with a screaming headache and the cogs of your brain grinding painfully - Julie Cohen's workshop taught me that - despite feeling crap I came out of the workshop with a new hero and story idea. From discipline can come inspiration. Actually think I'm in danger of getting deep there, so moving swiftly on...
  9. You don't have to be a Planner or a Panster like it's your religion for life - you can be somewhere in between or a flexible planner (thanks Kate Hardy for the excellent talk :-). Switching off your email while you're writing can lead to better productivity. (Okay I already knew that one but sometimes it's good to be reminded... Like Kate Walker's workshop on Conflict, you can never be reminded too many times).
  10. Sadly there were rumours that our favourite 'party outfit' publisher may be having distribution problems, we firmly hope for the sake of it's fab writers that there will soon be better news on the inkvine...
But now it's time to finish dunking that biscuit and make an official Minx announcement (drumroll please):
We're very pleased to announce that we've lured one of our lovely blog friends over to the Minxy side. She probably doesn't know what's hit her yet so we're announcing it before she changes her mind. I'd like to welcome Joanne Pibworth as a new member of the Minxes of Romance. Welcome Joanne.
Joanne will be introducing herself properly here on the Minx blog on Monday 9th August so I hope you'll come back then to welcome her properly :-)